PANDA BEAR 2019 IRON WORKS
What makes Panda Bear important to music in 2019?
By Jack Candido
Panda Bear’s 2019 Valentine’s Day show at Iron works in Brooklyn made me feel like I had gotten on a boat(or ark if you will) with everyone that I love, and we were sailing towards our dreams and a brighter future for everyone on board. You may think this sounds cliché, well that’s because it is, and that is exactly my point and Panda Bear’s. Mr. Noah Lennox isn’t afraid of sounding cheesy or contrived. He is a master of the age old saying, it’s not what you say that matters— it’s how you say it. You see, Mr.Lennox conveys messages of positivity and hope with a reverence and sincerity that is palpable and dripping with intensity.
His most recent album, Buoys, is a prime example of the virtuous—borderline motivational— style that Panda Bear has crafted throughout his career. With lyrics like “look up from the screen,” from the track inner monologue, Panda Bear takes on the persona of a 2000s parent concerned with what they perceive to be a child’s addiction to technology.
Taken out of context this line has every reason to be corny and hyper-cliché, especially considering everyone in the audience is encouraged to stare slack jawed and wide eyed at the 3 huge screens projecting psychedelic imagery, and the not so subtle fact that Panda Bear’s stage did not contain a single traditional instrument, given that his music is almost entirely— if not entirely— composed of samples and electronically produced sounds.
But it is exactly this paradox that creates the sincere and genuine atmosphere that is Panda Bear. He is unafraid to sing (beautifully I might add) these words, while knowing full well that himself and his fans are active perpetrators of the actions his words command against. It is a result of musical progeny that Panda Bear can transmute a command (look up from the screen) into what feels like a humble suggestion that is in the best interest of everyone.
Panda’s sincerity comes from his identity, both his projected and his actual. Noah Lennox is a family man who lives with his wife and two children in Portugal. His foil, Avey Tare front man of Animal Collective, elevates Noah’s identity by providing a counter to the rhythmic order of Panda’s message and sound. Avey projects an energy of chaos by summoning characters that evoke a sense of madness and disorder. While Panda is everything but that. His music, identity, and message, all evoke a sense of composure, order, and unity.
There is no question that our generation is ruffled with an anxieties of an uncertain future, and plagued by depressive tendencies that are charged by a divided country and rapid technological advancement. Panda Bear attempts to deliver a message of hope that is constructed from, and is born out of the same anxieties, depression, and computerization, that created this hole to begin with.
Nothing proves this point more than the wonderful addition of Panda performing comfy in nautica, perhaps a Valentine’s Day gift to his longtime fans, during his set. With the mantra,
“coolness is having courage
Courage to do what’s right
I’ll try to remember always
Just to have a good time”
Panda Bear led the audience in a chant promoting self confidence, and a brave moral suggestion—it takes courage to do what’s right, be brave.
I think the experience of going to a Panda Bear performance can be a profound and uplifting event if viewed from the perspective I’ve suggested. But a morally enriching experience that isn’t deprived of the sensuous human desires that make us feel alive and excited to exist; happy to be present and witness to life.